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The suit argues that California’s laws protecting teachers deny students, particularly those in poor communities, equal access to quality education. Schools serving poor students have more teachers with less seniority, the plaintiffs argue, and therefore are more likely to lose teachers when schools impose layoffs based on seniority. Those schools ensure a higher turnover in teachers, often of inexperienced and less effective ones. The suit also argues that the state requirement to decide whether to extend a teacher’s tenure after about 18 months on the job doesn’t allow for enough time to determine a teacher’s competence.

Winters was in choirs and glee clubs through her school years, but her father’s work took the family out of the Bay Area for a while, “I was completely uprooted and felt very out of place, I picked up guitar, so I could sing and play, It was close to the time when the James Taylors and Carole Kings and Joni Mitchells were emerging, So I got swept away into that singer-songwriter element.”, She loved to sing and dance, so musical theater seemed to be a natural focus at college, But Winters kept getting hired for sessions, to record songs and commercials, “I really got swept into the amour ballet shoes zurich of that.”..

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The sixth couple was Witney and Chehon, who did “the bench and sunflower” routine from Season 2 about unrequited love, Both dancers added their own touches and it was great, slightly short of the original by Travis and Heidi, Nigel told everyone the very personal story of how the sunflower represented Mia’s love for a man who was gay and so couldn’t accept her love, Nigel called it one of his favorite routines of all time, but Mary suggested that Chehon ballet shoes zurich needs to learn to “let go a little more.” While Witney got “Wow” from the judges, Chehon got a job offer, Michael Nunn said, “Chehon, you’ve always got a job with us!”..

“Frances Ha” (R, 86 minutes, The Criterion Collection): The writer-director of this small, gemlike coming-of-age comedy is Noah Baumbach, son of former Village Voice film critic Georgia Brown and author Jonathan Baumbach. Three of its most arresting supporting players — Mickey Sumner, Grace Gummer and Charlotte D’Amboise — are the daughters of Sting, Meryl Streep and ballet star Jacques D’Amboise. Not to be outdone, the incandescent star of “Frances Ha,” Greta Gerwig, casts her own parents as her character’s mom and dad, roles they play with a bracing lack of self-consciousness or patronizing irony in a movie set squarely in that fraught nether-region between arrested adolescence and adulthood. Writing with Gerwig, Baumbach has created a fey, sneakily charming generational touchstone on a par with “Annie Hall” and his own “Kicking and Screaming.” And he has created a spectacular showcase for Gerwig, a creaturely, almost feral sprite whose instincts and born-ready camera presence have long been staples of hand-made indie productions, but have yet to find their rightful purchase in mainstream Hollywood. Contains sexual references and profanity. Extras include conversations between Baumbach and filmmaker Peter Bogdanovich, and among Baumbach, Gerwig and filmmaker Sarah Polley; featurette on the look of the film with Baumbach, director of photography Sam Levy and creative director Pascal Dangin; and booklet featuring an essay by playwright Annie Baker.