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Corn played a pivotal role in saving Stanford’s art museum. “Wanda agreed to serve as acting director of the museum while the university searched for a permanent director,” said Mona Duggan, deputy director emerita of Stanford’s Cantor Arts Center. “Just two months later, the [1989 Loma Prieta] earthquake struck, significantly damaging the museum, which had to be closed. For many months, the staff did not know if the museum would ever be allowed to reopen. Because of Wanda’s leadership and diligent lobbying during that critical period, the university’s administration did allow us to continue the search [for a director] and to rebuild and expand the museum.”.

President Donald Trump is vowing to change “one-sided and unfair” trade relations with China but says he doesn’t blame China for taking advantage of the U.S, in the past, Trump says during a joint appearance ballet, dance, ballet tutu, pointe shoes, ballet school wall decal window sticker handmade 1550 with Chinese President Xi Jinping (shee jihn-peeng) at a business event that trade between the U.S, and China has not been “very fair” for the U.S, and is citing the large trade deficit between the two global powers, The U.S, president says we must immediately address “the unfair trade practices” that drive the deficit along with barriers to market access and the theft of intellectual property..

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Hopes had been high that Carreno, a hotshot in the dance world, could rescue the company, and the performances under his tenure have been well-received critically, but it remains to be seen if the artistic rejuvenation will translate into the big money they sorely need, Certainly the ballet is not alone in its woes, In addition to San Jose Rep, which died last year after 34 years as the city’s premier theater company, Shakespeare Santa Cruz perished in 2013 before ballet, dance, ballet tutu, pointe shoes, ballet school wall decal window sticker handmade 1550 being reinvented on a smaller scale and the American Musical Theatre of San Jose went dark in 2008..

Q You’re launching a jazz series in Walnut Creek this summer (information at www.lesherjazz.org). So you’re a jazz fan?. A I was when I was a musician. I studied one or two major figures from each era — Ma Rainey, Bessie Smith, Jelly Roll Morton, Fats Waller, etc. Then I hit Charlie Parker and had my mind blown; I transcribed many of his solos and those of Bud Powell. Q Any final thoughts on your success as a chamber music presenter?. A One key element is that we are very, very lean administratively; we spend our money on stage, where people can see it. We fly very close to the ground, so if we were to fall we’d just stumble a bit, rather than crashing.