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Tharp’s “In the Upper Room” got its name from a Mahalia Jackson gospel song. Despite Philip Glass’ including female voices toward the end of his commissioned score, I couldn’t see any trace of sacredness, unless racing through fog into some kind light suggests a search for something. “In the Upper Room” is an applause machine. One moment you have four women stalking and whirling in toe shoes, the next a leisurely group jogs backwards in slippers. The choreography’s demands on speed and precision partnering kept dancers on their toes and audiences at the edge of their seats. It was quite a ride.

Beginning Musical Theater Class: This class prepares dancers for the stage, with an emphasis on turns, positioning of the body, jumps and moving within the space and a routine, Tuesdays, 6:30-7:45 p.m, Ariel Dance Studio, 2385 S, Winchester Blvd., Campbell, $18 per class or $60 for four classes, plus $25 registration fee for new students, ballerina life 2018 ballet dance - instant download - commercial use digital clipart elements graphics set Register at 408-621-2790 or info@arieldancepro ductions.com, ESL Conversation Class: A joint program of the library and Campbell Adult and Community Education, Meets Wednesdays, 10 a.m.-noon, Campbell Library, 77 Harrison Ave., Campbell, 408-866-1991, sccl.org/campbell..

While the Cantor staff tried to temper her expectations for such a rare find, Van Kirk persisted and decided to examine “Window,” a 1967 composition by Diebenkorn, a Stanford graduate whose work is largely associated with abstract expressionism and the Bay Area Figurative Movement. Using an infrared camera, Van Kirk discovered something no one had seen in nearly 50 years — a chair that had its position altered and a pair of eyeglasses that were likely modeled on Diebenkorn’s own.

“I think ‘Hamilton’ has all of the features of a classical musical, even though stylistically it’s not like that, It has a hero who has forces arrayed against him; a romance that’s easily threatened; an ‘I want’ song in the first act; a tent-pole ballerina life 2018 ballet dance - instant download - commercial use digital clipart elements graphics set song, It does everything a good musical is supposed to do.”, For that reason, “Hamilton” has the ability to pull in traditional musical-theater audiences as well as those who would otherwise never be caught dead inside a darkened hall watching actors sing and dance..

Also roaming around the spirit world is the ghost of 17th-century French mathematician Pierre de Fermat, played with comical vanity by Marco Aponte, who also has a brief and awkward turn as a London policeman. When these competing influences start to face off, it provides some of the play’s most diverting moments. Colonialism is never far from the surface in Hardy’s attitude toward Ramanujan, whose culture he sees as a significant hindrance that the younger mathematician has almost uncannily but not entirely overcome through raw talent. He likes Ramanujan and respects him to a point, but his attitude toward him is clearly paternalistic for more reasons than simple age and experience. Rarely commented upon but often self-evident in his dismissive comments, this underlying condescension adds a more sinister tinge to what otherwise might be seen simply as a tragic mismatch of temperaments.